Famous timpanists playing Hardtke Timpani
“Wolfgang Hardtke simply makes supremely good instruments; the excellent standards of craftsmanship allied with innovative improvements to the original Ringer design provide drums with a deep rich tone, good sustain and a clean, focused centre to each note across an enormous dynamic range.”
Simon Carrington / Londoner Philharmonie Orchester
Markus Rhoten
New York Philharmonic Orchestra
“Being a timpanist in an orchestra combines the best of all worlds. You set a foundation in both rhythm and time.”
Guido Rückel
Munich Philharmonic Orchestra
“Being a timpani player means being present musically and physically, always being noticed by every audience member and ensemble member…”
Joseph Pereira
Los Angeles Philharmonic Orchestra
“The position of principal timpanist in an orchestra requires you to take on a huge responsibility. For me, it’s exciting to think about how, unlike the percussion instruments, the timpani were developed in the orchestral tradition.”
Simon Carrington
London Philharmonic Orchestra
“My interest has always been in timpani as essentially harmonic, rather than percussive instruments. To me, it’s very important to have an acute awareness of the timpani’s harmonic role at any given point in the music.”
Ernst-Wilhelm Hilgers
Berliner Staatskapelle
“Timpani is so much more than just a percussion instrument! For me, the sound is one of the most important features.”
Guy du Blêt
Orchestra Victoria/The Australian Ballet
“I love the mystery, the color, and the hidden gems waiting for the special moment to play so softly that you can feel the theatre hold its breath.”
Yana Krichevsky
Haifa Symphony Orchestra
“A great timpanist is the anchorman of the orchestra!”
Dan Moshayev
Israel Philharmonic Orchestra
“How great it is for me! I am the only player in the orchestra to hold this position, as opposed to other players, who have several others playing in their position.”
Andrew Penrose
Adelaide Symphony Orchestra
“I don’t know of a better job than playing in an orchestra, and there’s no better job in an orchestra than being the timpanist.”
Andrei Malashenko
Montreal Symphony Orchestra
“I cannot identify with one particular aspect of being a timpanist in a symphony orchestra that I like the most. Rather, it is the entire experience that I find exhilarating.”
Adrien Perruchon
Orchestre Philharmonique de Radio France
“I find great satisfaction in orchestral playing where interaction is key and best represents to me what live music is about.”
Tim Corkeron
Queensland Symphony Orchestra
“I certainly agree with many other Timpanists in that with the position comes great responsibility, power of sound, and the opportunity to be creative.”
Jeffery Prentice
Orchestra of the Principality of Asturias
“I love physical activity, as well as inspirational moments. Timpani gave me that outlet.”
Hilvic Gonzalez
The Simon Bolivar Symphony Orchestra of Venezuela
“For me, the timpani is the soul of the symphonic orchestra, is its tower of control, and it is incredible how much this beautiful instrument can change the sound and the character of any piece of music.”